Hollywood simply bent the drill scene to its will, and actually, the execution bangs. On 19 December 2025, Timothée Chalamet and Liverpool’s masked enigma EsDeeKid dropped “4 Raws Remix,” a collaboration that transforms film advertising into efficiency artwork. We’re watching historical past unfold.
Producer Wraith9 retains the unique’s menacing power intact. The beat slaps with that signature UK drill coldness: sparse 808s that rattle your chest, snappy hi-hats slicing via the combination, and a melody that lurks within the shadows.
This isn’t watered down for crossover enchantment. The manufacturing stays genuine to the style’s bleak aesthetic while giving Chalamet house to function.
Written by EsDeeKid, Chalamet, and Wraith9, with JD dealing with remix duties, the observe leans into its personal absurdity with shocking sophistication.
Chalamet opens by nodding to his teenage alias Lil’ Timmy Tim earlier than launching right into a verse that name-checks his forthcoming movie Marty Supreme repeatedly.
“It’s Timothée Chalamet chillin’, tryna stack $100 million / Woman acquired a billion,” he spits, referencing Kylie Jenner with the informal bravado of somebody who is aware of precisely how ridiculous this sounds. That self-awareness saves the entire train.
The bars oscillate between real swagger and playful absurdity. “Received mannequin bitches in Peckham / I’m Ryan Reynolds in Wrexham” is perhaps essentially the most Hollywood line ever dropped on a drill beat, but it really works as a result of Chalamet commits absolutely.
When he raps “My life is an opera, have a look at the Oscars, have a look at the groupies, have a look at the films,” he’s not pretending to be from ends. He’s flexing his personal actuality, which in 2025 proves simply as legitimate.
EsDeeKid stays masked all through the accompanying visible, refusing to completely dispel the conspiracy theories that sparked this collaboration.
The video, launched concurrently with the observe on 19 December, exhibits the pair transferring from kitchen to luxurious automobile, sustaining the thriller while capitalising on weeks of web hypothesis.
This represents one thing genuinely novel: an A-list actor collabing with a rapper the web claimed was his alter ego, purely to advertise a movie. The audacity. The work fee.
The sheer dedication to the bit. Chalamet’s Marty Supreme press run already rewrote the playbook, however this? This transcends typical promo cycles into cultural occasion territory.
Whether or not you fee it musically or not misses the purpose completely. “4 Raws Remix” exists as proof that in 2025, the traces between cinema, music, and web tradition have dissolved fully.
We’re watching an Oscar contender spit bars over UK drill to market a ping-pong movie. Future generations will research this second.
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