Tate McRae returns with “TRYING ON SHOES,” the opening salvo from her deluxe version of SO CLOSE TO WHAT, and it cuts deeper than something on “Something However Love” or “No person’s Lady.”
The place these tracks explored heartbreak’s speedy aftermath, this one dissects the determined, virtually vengeful transformation that follows.
The attempting on sneakers lyrics that means centres on reinvention as revenge, or maybe self-preservation. McRae chronicles the frantic costume modifications we carry out when relationships crumble, slipping into completely different variations of ourselves like clothes we’re testing in a becoming room.
“Tryin’ on sneakers, puttin’ on glitter / Something to make me rather less bitter,” she croons, and the admission stings with its honesty. This isn’t progress; it’s theatre.
Producers Emile Haynie and Grant craft one thing unexpectedly cinematic right here. Orchestral swells bloom beneath McRae’s vocals, lending the monitor a grandeur that contradicts its petty, bitter core.
Strings swell and recede like waves of emotion, while refined digital textures shimmer within the background (glitter in sonic type).
The manufacturing walks a tightrope between lush and sparse, letting McRae’s voice command the area with that trademark sultry sharpness.
The lyrics on this monitor are sharp in it’s refusal to play the sufferer. “I can fall in love arduous, flip round and delete it,” she declares, and the road lands with arctic precision.
There’s no wallowing right here, no tearful ballad. As an alternative, McRae channels her damage into one thing calculating, virtually merciless.
She acknowledges the connection’s toxicity (“You piss me off and I’ll flip it out”) while concurrently admitting her personal complicity within the charade.
The bridge gives the track’s most susceptible second, questioning whether or not she was ever really recognized: “And possibly I’m not the woman that you just thought / Or possibly you liked me as soon as, however forgot.” But even this confession arrives wrapped in defiance, by no means fairly tipping into self-pity.
“TRYING ON SHOES” doesn’t provide closure or catharsis, simply the uncooked, uncomfortable reality about how we sample ourselves in relationships, attempting on completely different identities till somebody matches the half.
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