Someway, the dudes rock track of Prime Gun fame is embroiled in a tradition warfare that is reached the South Park universe. In Season 28, Episode 4, the battle between the Trump administration and artist Kenny Loggins over the track “Hazard Zone” was given animated life.
In “Turkey Trot,” South Park takes Protection Secretary Pete Hegseth to process for his extrajudicial army killings and likewise performing like a complete “f—ing douche,” in a brand new track to the tune of “Hazard Zone.” The present portrays Hegseth, who has been dubbed the “Secretary of Conflict” by President Donald Trump, invading and ruining a Turkey Trot.
As an alternative of “Out alongside the sides / At all times the place I burn to be / The additional on the sting /The warmer the depth,” lyrics, South Park’s model trots out “Making a number of content material / Like a teenage woman.”
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The Loggins parody wasn’t simply a superb alternative to rag on Hegseth—who in all probability thinks of himself as a Prime Gun Maverick kind—it was additionally an opportunity to resurface the present political battle over “Hazard Zone.”
Again in October, Trump posted an AI generated video to Reality Social that depicted the president in a fighter jet, dropping metric tons of poop on the town of Chicago. The horrific and weird video was set to none aside from “Hazard Zone.” Virtually instantly, Loggins issued a press release to NPR, decrying the utilization.
“That is an unauthorized use of my efficiency of ‘Hazard Zone,’” the assertion stated. “No person requested me for my permission, which I might have denied, and I request that my recording on this video is eliminated instantly.”
The hit track was first launched as a single from the 1986 traditional Prime Gun soundtrack. Starring Tom Cruise and Val Kilmer, it follows strapping younger males as they attend the U.S. Navy’s elite pilot academy. It’s an ideal piece of army propaganda and cemented each Kilmer and Cruise as bonafide film stars. “Hazard Zone” accompanied sweaty faces, quick bikes, and even sooner jets. It was superior and approach far afield from the intent of Trump’s shit-plane or the South Park dunk on Hegseth.
When Loggins blasted Trump’s use of the track he stated: “I am unable to think about why anyone would need their music used or related to one thing created with the only real objective of dividing us. Too many individuals try to tear us aside, and we have to discover new methods to come back collectively. We’re all People, and we’re all patriotic. There isn’t any ‘us and them’ – that is not who we’re, neither is it what we must be. It is all of us. We’re on this collectively, and it’s my hope that we are able to embrace music as a approach of celebrating and uniting every certainly one of us.”
It’s gotta suck to create a track that, for many years, captured this good masculine mythos of America, solely to be ruined 40 years later with AI slop and an prolonged animated insult on the nation’s senior most army officer. Sorry, Kenny. At the least the South Park track was a little bit humorous?
