Can a darkish evening of the soul be enjoyable? keiyaA thinks so. The producer and singer’s second album is a freewheeling journey by means of golf equipment, bedrooms, and panic that’s as cheeky and propulsive as it’s heavy. The place her debut Eternally, Ya Woman was affirmational and atmospheric, therapeutic incense for working people making an attempt to get by, Hooke’s Legislation is an accelerant. Over staggering tracks overrun with rhythms, melodies, and voices, keiyaA hurtles by means of the abyss and dares you to maintain up. She desires to take up house, to eat her landlord, to be chewed like pastrami on rye by a lover who follows her hips and the most recent headlines. These are rider anthems for after the crashout.
The album title references a regulation of classical physics that describes how sure objects survive the imposition of pressure. When a coil is stretched, as an illustration, it could possibly shift again with out shedding form. keiyaA sees that elasticity in her battles with despair and loss, and dedicates the album to describing the sensation of being always squeezed and prodded by the world. As she put it in an interview, Hooke’s regulation helped her understand “a downward spiral is a loaded spring.”
Embracing that ethos, she prioritizes stress, narrating struggles with love and psychological well being within the nervous warmth of actual time. The unruly preparations movement freely from drunken R&B to racing breakbeats to mellow IDM. Sound results and warped samples abound: explosions, shattering glass, the long-lasting Lex Luger riser, clips of poems by Jayne Cortez and Pat Parker, and a flip of Jadakiss’ “U Make U Wanna.” The flux highlights her playfulness as a songwriter; you possibly can really feel her chuckling to herself when she begins a confessional about being frustratingly attractive with a clip of Gucci Mane’s slut-shaming “Thirsty.” By means of all of it, keiyaA reveals off a widened repertoire of scats and harmonies, usually utilizing Auto-Tune to stretch her cool melodies into tumbling streams of consciousness. It’s as if she’s cranked up the amount of the monologues from her previous music.
