An Interview with Nicole McGovern, 2nd A.D.

Date:

by Matt Miller

I’ve had the pleasure of working with Nicole McGovern as a 2nd Assistant Director on a number of industrial jobs now and I’m so joyful that she had the time to reply some questions on her work. Beneath is a brief interview masking the fundamentals of the twond Assistant Director place in addition to a few of Nicole’s ideas for actors on set.

Matt Miller - Commercial Director and Nicole McGovern - 2nd Assistant AD
Director Matt Miller & 2nd A.D. Nicole McGovern

MM: What are the first duties of the twond Assistant Director?  Are these duties any totally different on a industrial mission versus a tv present or movie?

NM: Sure and no! Identical idea for each. We be sure that issues and individuals are in the precise place on the proper time.

In movie and tv, a Key 2nd AD is the primary level of contact to each on and off manufacturing crew in addition to the forged. A Key 2nd AD will make the decision sheet each day, give actors their name occasions, and schedule costume fittings or any vital rehearsals. Sometimes, there might be a Basecamp AD to assist facilitate the forged getting by way of Hair & Make-up and attending to set on time after which there may also be a 2nd 2nd AD, which is type of just like the 1st AD’s right-hand mate on set, serving to direct the background actors in addition to facilitate the forged’s whereabouts on set.

In commercials, the Manufacturing Division steps into numerous roles AD’s play within the movie & tv world, however a 2nd AD continues to be the liaison between expertise and set. Sometimes, on a industrial, you (the actor) might be greeted by the twond AD if you arrive and they’re going to information you thru paperwork, then to Hair/Make-up/Wardrobe, and be sure to are the place you might want to be if you end up wanted. A 2nd AD may also help in directing the background actors on set.

MM: What’s the a part of your job that you just love essentially the most?

NM: I like being in a brand new place virtually day-after-day. On daily basis has a brand new problem. Typically I’m involved about climate whereas working in a subject in the course of nowhere after which the following day I’m figuring out of a excessive rise in downtown Chicago. Not numerous careers permit that a lot flexibility.

CineSpace sound stage for commercial shoot.
Industrial Set at CineSpace

MM: Understanding that only a few issues are typical on this line of labor, what’s a typical week on a TV or industrial job like for you? 

NM: I predominantly work as a Key 2nd Assistant Director on a TV present. In that respect, my week is normally Monday via Friday. Whereas taking pictures, I sometimes work 14-16 hours a day. I might begin my Monday with a 6AM name and by the top of the week we might be on nights with a 6PM name. When you like consistency this is probably not the job for you… 

MM: How lengthy have you ever been doing this work now? What was the method like for you? How does one develop into a 2nd AD? 

NM: I’ve been a DGA (Director’s Guild of America) 2nd AD since 2015. I first began off as a Manufacturing Assistant (PA) on motion pictures in 2009.

To develop into a DGA 2nd AD, there are a number of totally different routes you could possibly take. I believe the most typical is becoming a member of through PA days labored. For the third space (outdoors Southern California) you could have labored a minimum of 600 days on a union tv present or movie. You create a e book with numerous proofs of all these days you labored and submit it to the DGA. There are additionally avenues through industrial days/non-union days in addition to a DGA Trainee program.

MM: What are some issues actors ought to learn about their interactions with a 2nd AD? Any “do’s and don’ts” type of recommendation you may share? 

NM: Come ready and arrive early. Don’t be afraid to ask a query since you are too nervous. We’re there to assist!

MM: Who’s an actor you’ve got beloved working with and why?

NM: Kate Winslet. She is an absolute professional and delight. I labored together with her over a decade in the past and I nonetheless keep in mind her telling me, “I by no means wish to be late and I by no means wish to be the final actor to reach on set.” She at all times got here ready and was so respectful.

MM: Anything early profession actors ought to know in regards to the job of the 2nd?

NM: We’re the gatekeepers of knowledge. The Data Division!

-Matt Miller is a DGA Director and an occasional teacher on the Appearing Studio Chicago.

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