ROSALÍA’s taken the idea of omnipresent devotion and flipped it into one thing each playful and profound on “Dios Es Un Stalker,” monitor ten from her newest album Lux (Versión Física).
The title alone, God Is A Stalker, units up an audacious premise: what if divine love appeared much less like benevolent watchfulness and extra like obsessive pursuit?
At barely two minutes, the monitor feels criminally brief, but it packs extra concepts into that runtime than most artists handle throughout complete albums.
The manufacturing, helmed by Noah Goldstein and Sir Dylan alongside ROSALÍA herself, meshes tango rhythms with surprising orchestral touches.
A double bass anchors the low finish while pianos drift out and in, including layers of texture that shift the music’s emotional weight.
Her voice weaves by way of the tango-driven manufacturing. It weaves by way of it, changing into one other percussive component when the rhythm calls for it.
The lyric which means centres on pursuit from a god’s-eye view, monitoring somebody’s each transfer with unsettling devotion.
“Yo te sigo, tú improvisa / Nunca te enteras que soy tu sombra,” she sings. I observe you, you improvise, you by no means realise I’m your shadow.
It’s uncomfortable, intimate, borderline invasive. But there’s humour within the absurdity, which ROSALÍA acknowledged to France Inter, explaining the music “incorporates a way of humour as a result of I did it from the perspective of God, which is absurd.”
What makes this monitor actually important is the way it strikes. You are feeling it in your hips earlier than your mind catches up.
The tango basis provides it a sultry, stalking high quality that completely matches the lyrical idea, then these brass stabs and piano prospers punctuate the association with dramatic aptitude.
It’s genre-blending achieved proper, not for the sake of ticking packing containers, however as a result of the music’s narrative calls for these shifts in sonic perspective.
For context on ROSALÍA’s evolution, her method to experimental pop manufacturing has persistently pushed Spanish-language music into surprising territories.
The association right here remembers the adventurous spirit of Charli XCX’s hyperpop experiments while sustaining ROSALÍA’s distinct flamenco-rooted id.
Right here’s the factor about “Dios Es Un Stalker.” It’s my favorite on Lux, and I do hope there may be an prolonged model. A tease from an artist who is aware of precisely how you can seize your consideration.
