Evolution isn’t unique to the prehistoric beasts stomping by Misplaced Lands. Bass Canyon continues to evolve seven years in, with a serious replace and additional musical diversification, whereas sustaining its core identification.
Excision’s marquee competition, an annual hotspot for headbangers within the Pacific Northwest, returned to the idyllic Gorge Amphitheater between August 15-17. This 12 months’s main addition was The Crater, the viral 360° stage that debuted on the dubstep icon’s Misplaced Lands Competition final 12 months. The brand new stage is a visible feat, showering crowds with lasers from each course.
Bass Canyon’s shiny new toy hosted standout units from One True God, REAPER, Capochino and EDM.com Class of 2024 artist Hedex, amongst others. The Crater risked overshadowing different phases, however as an alternative introduced stability. Its unmatched manufacturing supplied a worth equal to, but distinct from, the Canyon Stage, Bass Canyon’s mainstage.
Having two distinct points of interest additionally elevated the Starlight Stage’s identification. The smaller stage, a testing floor for tomorrow’s bass legends, was a improbable palette cleanser, highlighting experimental dubstep and showcasing rising stars.
Geared up with an electrical guitar, drums, and rockstar swagger, Know Good delivered arguably the set of the weekend. Mr. Invoice and HVDES have been additionally amongst those that left sturdy impressions.
Zingara and ALLEYCVT, two extremely in-demand bass music producers who carried out at this 12 months’s mainstage, received their Bass Canyon begins at Starlight. Their progress is a testomony to Staff Excision’s eye for expertise and what Starlight represents.
“On the finish of my set, I made positive to take a second and take all of it in,” Zingara stated. “Seeing the assist I had at that stage was very particular. Standing on that stage, then looking this strategy to see everybody there was a core reminiscence.”
“It was one of many first festivals I ever performed,” ALLEYCVT recalled. “It was an enormous reminiscence. I’ll at all times keep in mind that.”
Canyon Stage challenges The Crater’s dazzle and inventiveness with Mom Nature’s mild contact. The Gorge is a surprising backdrop for any competition, however one thing about groundshaking dubstep emphasizes the serenity of the sprawling canyons behind it. Bass Canyon’s neighborhood additional evokes the distinction. Feral headbangers mean-mugging to SVDDEN DEATH’s sundown set may look intimidating, however they’re a number of the kindest, most welcoming people. It’s what makes Bass Canyon so particular—duality in concord.
“It’s some of the lovely locations within the nation,” Liquid Stranger instructed EDM.com earlier than his Friday night set.
Liquid Stranger’s imaginative sound was a excessive level of the weekend, nothing sudden to longtime listeners. Different mainstage standouts from the weekend included Wooli, Crankdat, Reaper, Tape B and Excision b2b ATLiens.
Watching Wooli, Excision’s longtime collaborator, headline Saturday was a touching sentiment celebrating his progress over Bass Canyon’s historical past.
Sunday’s headliners lived as much as expectations and extra. Excision and ATLiens’ respective appetites for riddim and entice completely complemented one another, preserving listeners on their toes. ATLiens transitioning from their remixes of Creed’s “One Final Breath” to Farukko’s “Pepas” should be residing rent-free in individuals’s heads.
All stated and accomplished, Bass Canyon isn’t resting on its laurels. The Crater’s introduction, an modern b2b and Starlight alums graduating to the principle stage are proof. Excision and Firm proceed constructing on their imaginative and prescient for a greater bass tomorrow as Bass Canyon’s tenth anniversary slowly approaches.
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